Okay, so there’s this generalized assumption that young adult literature is bleak, grim, and seriously unfunny. Now, as an author of funny YA (well, published in 10-14 YA, though my WIP YA is older), and as someone who likes to read funny books, I’ve never had much of a problem finding funny YA books to read. I do tend to agree, however, that the “serious” books vastly outnumber the “funny” ones.
But, I’m an empirical kind of guy, so I decided to examine my assumption in more detail. In particular, I looked at a recent catalog for a major publisher, reading through the catalog copy of the twenty-four (24) YA novels and attempting to distill each book down to its essence.
This is what I found:
A book on paralysis
A book on death of a parent, alcoholism, and unwanted pregnancy.
A book on death of a parent through cancer
A book on alcoholism
A book on armed assault with a deadly weapon
A book on death of both parents in a car crash
A book on death of both parents in a car crash and an unwanted pregnancy
A book whose catalog copy is vague, but appears to involve at least armed robbery and child abandonment
An historical book on suicide
A contemporary book on suicide
A book on death of a parent and economic hardship
A book on censorship. And sex.
A book on death by accidental shooting (or general stupidity)
A book on child abandonment, alcoholism, and an accident of indeterminate nature (resulting in, possibly, death)
A book on divorce
A book on death of a parent, economic hardship, robbery, and risking death.
Two books on (1960s) sex, drugs, and rock & roll (and therefore, at least metaphorically, death)
Of these, only one (1) appears to include any modicum of humor at all. (How do I know this? Because the catalog copy said it was “hilarious.”).
For the record, of the remaining books, one was high fantasy, two appear to be (profoundly serious) love stories, one was a manufactured book, and for two, the catalog copy was so vague I couldn’t tell what they were actually about.
Now, in one sense, I’m being unfair. I have, after all, grossly simplified “what the book is about” based on catalog copy - I could similarly characterize
Ninjas, Piranhas, and Galileo as “a book on science and student court and racial perceptions,” which sounds like a real snoozer, rather than “a romantic science comedy courtroom drama about three friends who take part in their school science fair and end up in student court because of it.”
Further, IMO, a funny book
should deal with serious themes and
should have all the characteristics of a serious book. A strong beginning, rising action, characters who change and grow, etc. As
Lisa Yee put it in her
interview on
Three Silly Chicks, “[t]he best way to write a funny book is to write an unfunny book first. By that I mean, the story has to hold up without the humor. There needs to be emotion and pathos in it…To test this, take out your best jokes or funniest parts. Does the story still hold up?”
Now, it's also entirely possible that, some of these apparently serious books could have some humor in them, even if they are not funny books with serious themes (And, yeah, only one sample and an anecdote isn't data).
But.
But, I was still struck by the fact that, with this one publisher (at least in this one catalog), "funny" seems to be a dirty word.
Brothers, Boyfriends, and Other Criminal Minds, by April Lurie (Delacorte, June 12, 2007)(ages 10-14) is a terrific sophomore novel by the author of Dancing in the Streets of Brooklyn: April Lundquist lives in Dyker Heights, Brooklyn, a quiet neighborhood where the streets are clean and safe. Sure, three murderers live on her block, but they're just mafia hit men. Problems start when April's older brother begins to date the daughter of a mobster and when one of the neighbors has a business proposition...
